Annotated game
Anderssen versus Kieseritzky, 1851
Adolf Anderssen · Lionel Kieseritzky · 1851 · 1-0
Activity in exchange for material
Watch the moves spent pursuing the queen and the routes White’s pieces open towards the king. Kieseritzky’s record ends at 20.Ke2. The famous later mate is studied in a separate sequence because it is uncertain whether those moves were played on the board.
Traditional continuation, disputed as played
Traditional continuation, not a confirmed record
This sequence begins where Kieseritzky’s record ends. Study the famous mate as a traditional continuation whose execution on the board is disputed. The mechanism is clear: control the king’s exits and deflect the knight defending .
Explanation
The Immortal Game is Adolf Anderssen's victory over Lionel Kieseritzky, played in London in 1851. It was an informal encounter, outside the . It became famous for the amount of material Anderssen allowed his opponent to capture: a bishop and both rooks. The queen sacrifice and checkmate that complete its best-known version, however, belong to a traditional continuation whose execution over the board is disputed.
The interest lies not just in how much material disappears, but in where the surviving pieces stand. The captures take Black's queen and one bishop far from their king, while Anderssen keeps his knights and remaining bishop close to it. Kieseritzky's material gains do not in themselves resolve the danger to his king. The traditional finish takes that contrast to its extreme: White gives up the queen and the minor pieces deliver mate.
The opponent's account
Kieseritzky himself published the game in the July 1851 issue of La Régence. His notes praise Anderssen's play and conclude by acknowledging his remarkable talent. The defeated opponent thus also helped preserve and circulate the victory.
His score ends at 20.Ke2. That endpoint does not by itself establish a resignation at that moment: on 19 July 1851, the Chess Player included one further reply by Black and announced mate in three without giving the individual moves. The difference between these accounts requires us to distinguish where a publication stops from what is known to have been played.
In August 1855, an unsigned article in the Wiener Schach-Zeitung already bore the title “Eine unsterbliche Partie”, meaning “An immortal game”. This is a documented early use, not proof of who invented the name. Admiring the conception and beauty of the combination does not require treating all the preceding play as flawless.
Replay historical games
London, 1851. Informal game. The exact date and venue remain disputed.
Anderssen vs. Kieseritzky, London 1851
Play as Adolf Anderssen, White
Coordinate pawns and pieces against an exposed queen while tracking the cost of sacrifices.
New York, October 17, 1956. Rosenwald tournament, Round 8.
Byrne vs. Fischer, 1956
Play as Bobby Fischer, Black
Use development and piece cooperation to sustain the initiative.
Common confusions
Game of the Century
The Immortal Game was Anderssen-Kieseritzky in 1851. The Game of the Century was Byrne-Fischer in 1956.
View termSources
- 1.The Immortal Game (Anderssen v Kieseritzky), Edward Winter, Chess Notes
- 2.Immortal Game: publication and annotated score, Wikipedia, including Kieseritzky’s 1851 report
- 3.The Immortal Game, Robert Hübner, American Chess Journal, issue 3
- 4.50 games you should know: Anderssen vs. Kieseritzky, annotated game by Robert Hübner, ChessBase, Johannes Fischer and Robert Hübner
- 5.La Régence, julio de 1851, p. 221: Anderssen contra Kieseritzky, Lionel Kieseritzky, La Régence; facsímil reproducido por Edward Winter
- 6.La Régence, julio de 1851, p. 222: final del registro y notas firmadas L. K., Lionel Kieseritzky, La Régence; facsímil reproducido por Edward Winter
- 7.Eine unsterbliche Partie, Wiener Schach-Zeitung, agosto de 1855, p. 293, Artículo sin firma, Wiener Schach-Zeitung; facsímil reproducido por Edward Winter
- 8.Chess Player, 19 de julio de 1851, p. 2: Anderssen contra Kieseritzky, Chess Player, editado por Josef Kling y Bernhard Horwitz; facsímil reproducido por Edward Winter
